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The Numbers - Movie Market Summary 1995 to 2015

Domestic Movie Theatrical Market Summary 1995 to 2015

Welcome to our reference library analyzing trends in the domestic movie industry since. In this area of the site, you'll find over 2,000 pages of information detailing the changes that have shaped the industry.

Our market analysis is built on The Numbers' unique categorization system, which uses six different criteria to identify a movie. Every movie released since 1995 is categorized according to the following attributes: Creative Type (factual, contemporary fiction, fantasy etc.), Source (book, play, original screenplay. ), Genre (drama, horror, documentary etc.), MPAA Rating, Production Method (live action, digital animation etc.) and Distributor. Our market charts provide year-by-year analysis across these categories, allowing analysis of market trends. See, for example, how horror movie revenues have varied. the emergence of digital animation and live action/CGI animated movies, and the decline (and possible rebound) of R-rated movies. To explore, click on an individual year, distributor, genre, creative type, production method or MPAA rating to see annual trends in a particular category.

Note: in order to provide a fair comparison between movies released in different years, all rankings are based on ticket sales, which are calculated using average ticket prices announced by the MPAA in their annual state of the industry report.

Annual Ticket Sales

Movie Marketing Strategies

Movie Marketing Strategies

Press conferences are used to interest critics in films. Ralph Fienes and Keira Knightley share the stage at a conference for "The Dutchess."

George Pimentel/WireImage/Getty Images

The theatrical trailer is often the first chance to promote a movie to its target audience. Starting up to a year before the release of a major studio movie, distributors run movie trailers that are meticulously edited and audience-tested. The idea is to give moviegoers a taste of the laughs, special effects and plot twists of the studio's upcoming releases, while leaving them wanting more. It's an art form that's usually handled by special trailer production houses.

About the same time that the first trailers hit the theaters, the movie studio will unveil an official Web site for the film. Typical movie Web sites allow visitors to view multiple versions of the trailer, watch behind-the-scenes interviews and mini-documentaries, read plot synopses, download cell-phone ringtones and desktop wallpaper, play games, chat in forums and even pre-order tickets. The official movie Web site is only the beginning of a much larger Internet marketing campaign.

As the release date of the film draws closer, movie marketers try to get early favorable press coverage in newspapers, magazines and on entertainment TV shows. The main movie publicity tactic is something called a press junket. At a press junket, journalists, entertainment reporters and movie critics are flown out to a special location for a day or weekend of interviews with the stars and creators of the film. The actors, directors and screenwriters sit in separate rooms and the reporters are brought in one by one to ask their questions.

Press junkets are highly controlled environments where interviews are often attended by a publicist. who make sure interviews never veer from positive topics [source: Rosenbaum ]. If you've ever seen a TV interview with an actor sitting in front of a poster of their movie, that's from a press junket.

Weeks before the movie opens nationwide, the promotions department starts an all-out publicity blitz. The idea is to bombard the public with so many images and promos for the movie that it becomes a "can't miss" event. Movie marketers will plaster the sides of buses with huge ads, place billboards all around the city, run tons of teaser trailers on TV, place full-page ads in major newspapers and magazines, and the movie's stars will show up on all of the major talk shows.

The Internet is proving to be a prime spot for these publicity blitzes. Promoters can place rich, interactive ads on the Web sites most trafficked by their target audience. They can also release behind-the-scenes clips, bloopers and other viral videos on video-sharing sites like YouTube. Or they can release different media clips and let the fans create their own trailers.

Another popular strategy is to use highly visible product tie-ins and corporate partnerships. In the weeks leading up to the release of "How the Grinch Stole Christmas," images of the green Grinch appeared on packages of Oreos, boxes of Froot Loops and cans of Sprite. Even the United States Postal Service got into the act, stamping letters with special "Happy Who-lidays!" messages [source: Finnigan ]. For marketing children's movies, the Holy Grail is gettingВ  promotional goodies in McDonald's Happy Meals.

One final movie marketing strategy is the publicity stunt. an orchestrated media event where someone does something incredibly silly, dangerous or spectacular to draw further attention to the opening of the movie. An example is when the promoters of "The Simpsons Movie" transformed dozens of nationwide 7-Eleven convenience stores into replica's of Springfield's own Kwik-E Mart [source: Keegan ].

Unfortunately, movie promotion is not an exact science. Read about some common problems with movie marketing in the next section.

How To Create A Movie Marketing Plan

How To Create A Movie Marketing Plan

If you’re looking for info on movie marketing, this 12 week promotional plan may help. While there are no guarantees that your movie will become the next viral, breakout hit, doing something is better than letting your movie collect dust.

This movie marketing plan provides grassroots strategies you can implement over a 12 week period.

Movie Marketing Plan Overview

The first step in your movie marketing process involves setting realistic goals about your project. Take a moment to answer the following questions:

  • How many movie views / unit sales must you sell to break even?
  • Who is your general target audience?
  • What do you hope to accomplish over the next 12 weeks?

There is a saying in movie marketing that everybody is nobody and niches make you riches. With the democratization of film distribution (through companies like our advertiser Distribber ), it is now essential to define your target audience before you even put pen to paper. Is there an audience that already exists for your movie? Where does your audience congregate online?

We will provide you with some tips on how to define your market.

  • Make a list of 5 ideal movie fan categories for your title.
  • Figure out why these fans should watch your movie.

A large part of movie marketing involves internet marketing. The reason for this is simple: We are quickly approaching a time where there will be no delineation between your computer and your television. Everything will be on demand and accessible. As a result of these changes, you will need to drive targeted Internet traffic to your desired point of sale and convert these visitors into customers.

In your second week, we are going to cover the following topics:

  • How to create a promotional movie website (ad) fast.
  • The purpose of an audience list (ad) and why you need it!

Week 3 – Know Your Prospective Audience

While there are no hard and fast rules in the brave new world of indie filmmaking, without retail DVD distribution, your most important goal (aside from making the movie) is to seek out your audience for both your current project and your filmmaking career. To many, this type of audience engagement represents a paradigm shift.

Your audience is your movie business. Without an audience, you simply have no business!

Here is what we are going to investigate in week three:

  • Discover where your fans congregate. both online and offline.
  • Create as list of popular publications that cater to your fans.

Week 4 – Track everything

In movie marketing, it is very common for everybody involved in a project to present a gazillion ideas on best marketing practices. But the truth is, the only good marketing idea is the one that works. And the only way you know if your strategy is working is when you test it.

In your fourth week, you will set up tools so you can understand user behavior:

  • Add tracking tools to your website.
  • Modify your website to influence user activity.

Week 5 – Refine Your Movie Marketing

Have you ever noticed when a big studio releases a movie, they sometimes first push it as an action flick. Then later, the advertisements shift to a love story? Why does this happen? These changes take place because movie marketers are consistently testing the movie messaging in front of sample audiences.

And it is usually the audience, not the filmmaker who reveals what aspects of the movie are most interesting and memorable.

During week 5, you will focus on the following:

  • Refine movie messaging based on audience feedback.
  • Create your hook and refine it to emphasize your unique story.
  • Get your movie in front of influencers  in your target market.

Week 6 – Search Engine Optimization For Your Movie

Since you do not have a multi-gazillion dollar movie marketing budget like the big Hollywood studios, you will focus on the internet. Your goal is to implement inexpensive marketing strategies so you can drive targeted traffic to your website (in the hopes these visitors will buy your movie). There are quite a few ways to do this, but one of the most effective ways of attracting traffic is by creating useful content, aimed at your target audience.

In week 6, you will complete the following tasks:

  • Conduct keyword research relevant to your audience.
  • Implement your movie website, with SEO friendly framework.
  • Define your content strategy, based on keyword research.

Week 7 – Create Relevant Content

When it comes to movie marketing, creating relevant content is essential for attracting visitors to your movie website. It is at this point when most filmmakers start to feel overwhelmed, thinking they need to focus on busting out a gazillion blog articles.

While writing keyword specific, relevant content is a useful way to attract visitors, writing is not the only way to create content. Internet content can be created and delivered as audio, video and text. Since each prospective viewer has preferred modality, your goal is to create a content strategy that incorporates all three.

In week 7, we will focus on fulfilling the following objectives:

  • We will create and outline a content strategy based on movie/story/genre specific keywords.
  • Then we will figure out timeline for how frequently we will deliver the content.

Week 8 – Spread The Word and Build Buzz

Here is the thing. Lets say you are making a zombie movie and you  decide to conduct an internet search for zombies. You will very quickly find thousands of websites devoted to zombie movies. Unless you have all the time in the world, contacting the owner of each blog or website is going to be impossible.

During week 8, your goal is to sort through the noise and focus on activity that will garner us the greatest potential for results.

  • Build a database of the top 50 publications in your niche.
  • Test several low cost ads to drive targeted traffic to your movie website.
  • Refine your trailer and post it everywhere!
  • You might also want to distribute a press release (ad).

Week 9 – Leverage Social Networks and Blogging Community

A lot of filmmakers are stupid when it comes to social networking. They look at the tool and say “I HAVE A MOVIE. PLEASE (potentially) WASTE 2 HOURS OF YOUR TIME AND WATCH IT!” While you know that your movie is way better than most the other crap out there, the rest of the social community does not. And if you utilize a crappy social networking strategy, the best we can say is: Good luck!

In week 9 your goal is to implement a social media strategy that encourages word of mouth.

  • Engage with potential users via social networking channels.
  • Implement a guest posting strategy on several blogs.

Week 10 – Hit The Red Button (and launch!)

If you spend all sorts of time and effort and money making your movie, the last thing you want to do is wait around. You want to get your movie seen, sold and if possible – maybe you can find a 3 picture studio deal in the process. While movie marketing is not totally a science, your results (both good or not so good) will be easy to measure.

In week 10, we will hit the red button and see what works.

  • Divide our launch strategy into several tiers and milestones.
  • Send copies of your movie to popular review websites and schmooze for good reviews.

Week 11 – Utilize The Power of Email.

If you subscribe to the exclusive Filmmaking Stuff Newsletter. you know that I really believe in email marketing. I think it is a great way to stay in touch and to build a relationship with your audience.

In week 11, we are going to focus on creating and executing an email marketing campaign (ad).

  • Write a half-dozen targeted emails and send at pre-determined intervals.
  • Reach out to other filmmakers and see if they would send similar emails to their list.

Week 12 – Grow Your Community!

By now, these words should echo in your filmmaking mind: “My audience is my business. Without an audience, I have no business.”  When it comes to modern film distribution. you can no longer plan on simply selling 10,000 DVDs to the big box video rental chain, because that doesn’t exist anymore. Instead your audience is your business – not just for your current project, but for all future titles as well.

In week 12, we will focus on creating long term community engagement.

  • Establish a community for your fans.
  • Get fans into a database that you control.

So there you have it. This is a broad overview of a 12 week movie marketing plan that you can implement for your next title. If you know someone seeking film distribution, you might also want to check out my sell your movie system.

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Market Movie Review - Hindi Movie

The Market Movie Review

By ApunKaChoice Bureau

Rating: 3/5

Unlike many other Bollywood films 'Market' is more realistic and takes a candid look into the lives of sex workers. Director Jai Prakash creates an authentic ambience against the backdrop of a brothel in Hyderabad. Even the language that the characters speak in the movie captures the flavor of the setting.

There are some sequences in the film that moves a viewer. These include the one when a minor Manisha is married to an aged Sheikh and used by the brute Arab for his sexual pleasure only to be dumped later on like a used piece of linen. Another sequence that hits you is when Manisha is forced into prostitution and suffers the mental and physical torture.

Manisha Koirala delivers a noticeable performance and rightly conveys the trauma a young girl undergoes when she is left alone in this world to fend for herself. The actress has paid meticulous attention to several details like the body language, the speech and the entire look of a prostitute.

In side roles, Suman Ranganathan and Shweta Menon add for some oomph factor while Aryan Vaid leaves an impression in the second half of the movie.

On the whole, 'Market' is a gripping movie, but it is not meant for family viewing due to explicit dialogues and its subject.